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	<title>Change &#8211; anthro{dendum}</title>
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		<title>Nothing easy about this one</title>
		<link>/2024/01/01/nothing-easy-about-this-one/</link>
					<comments>/2024/01/01/nothing-easy-about-this-one/#comments</comments>
		
		<dc:creator><![CDATA[Uzma Z. Rizvi]]></dc:creator>
		<pubDate>Tue, 02 Jan 2024 01:14:09 +0000</pubDate>
				<category><![CDATA[Blog Post]]></category>
		<category><![CDATA[academia]]></category>
		<category><![CDATA[academic publishing]]></category>
		<category><![CDATA[Archaeology]]></category>
		<category><![CDATA[Change]]></category>
		<category><![CDATA[climate change]]></category>
		<category><![CDATA[Decolonizing Anthropology]]></category>
		<category><![CDATA[Farewell]]></category>
		<category><![CDATA[fieldwork]]></category>
		<category><![CDATA[Gaza]]></category>
		<category><![CDATA[MohenjoDaro]]></category>
		<guid isPermaLink="false">https://anthrodendum.org/?p=11442</guid>

					<description><![CDATA[I&#8217;m sitting in a semi-dark room, the electricity has just cut out, and there&#8217;s a slight chill in the air. I love being in MohenjoDaro (Sindh, Pakistan) in December. It&#8217;s cold at night and it&#8217;s hot during the day, unlike the summer, where there is nowhere to hide from the heat. The winter is more &#8230; <p class="read-more"><a class="readmore-btn" href="/2024/01/01/nothing-easy-about-this-one/">+<span class="screen-reader-text"> Read More Nothing easy about this one</span></a></p>]]></description>
										<content:encoded><![CDATA[<p>I&#8217;m sitting in a semi-dark room, the electricity has just cut out, and there&#8217;s a slight chill in the air. I love being in <a href="https://whc.unesco.org/en/list/138/">MohenjoDaro</a> (Sindh, Pakistan) in December. It&#8217;s cold at night and it&#8217;s hot during the day, unlike the summer, where there is nowhere to hide from the heat. The winter is more playful with the weather. However, living on the site isn&#8217;t play. Without being romantic about it, there&#8217;s little electricity, hardly any internet, no consistent mobile service, often no gas to cook with, and limited water. And yet, I find myself looking forward to my time there. I have spent many years sitting, visiting, and wondering about this archaeological site. It is not a place that allows everyone in &#8211; reticent and introverted, this city only lets you in once the bricks, the birds, the dogs, and the spirits are ready.</p>
<p>I cannot think of a better place to write out my farewell to this community. Writing for anthro{dendum}/Savage Minds has been one of the highlights of my writing career &#8211; mostly because it always felt like it was a place I could come, sit, visit, and wonder about the world together with everyone. I started writing for Savage Minds in 2014, and continued with some regularity for quite a bit &#8211; until I was diagnosed with cancer in 2019, and then right on its heels, the world shut down as the pandemic took over in 2020. It was not just my world that was unwell, the whole world has not been well, and it has been difficult to wonder about the world together when so much was going wrong. So much more than usual. As I type this, I know that Gaza continues to be bombed: a genocide happening right in front of our eyes.</p>
<figure id="attachment_11444" aria-describedby="caption-attachment-11444" style="width: 370px" class="wp-caption alignright"><img fetchpriority="high" decoding="async" class="wp-image-11444" src="https://anthrodendum.org/wp-content/uploads/2023/12/MJD-Sunset-1024x768.jpg" alt="" width="370" height="278" srcset="/wp-content/uploads/2023/12/MJD-Sunset-1024x768.jpg 1024w, /wp-content/uploads/2023/12/MJD-Sunset-300x225.jpg 300w, /wp-content/uploads/2023/12/MJD-Sunset-768x576.jpg 768w, /wp-content/uploads/2023/12/MJD-Sunset-1536x1152.jpg 1536w, /wp-content/uploads/2023/12/MJD-Sunset-360x270.jpg 360w, /wp-content/uploads/2023/12/MJD-Sunset.jpg 1600w" sizes="(max-width: 370px) 100vw, 370px" /><figcaption id="caption-attachment-11444" class="wp-caption-text"><em>Sunset at the Stupa Mound at MohenjoDaro, Sindh, Pakistan. Photograph by Author, December 2023.</em></figcaption></figure>
<p>I sit to have tea with some elders from the village just southwest of MohenjoDaro, we can see some of their homes from the Stupa mound. They tell me about the news, about how many children are dying in Gaza, and they say they have never seen the world so sick and so consumed with money and power to allow children to die at such a scale. I agree with them. They don&#8217;t stop talking about it, and I don&#8217;t really want them to because it is important to witness the enormity of the atrocities happening in Gaza. The oldest gentleman sitting next to me turns to me and says, when we are asked if we knew, we must say, yes, we all knew. His tears make my throat constrict, and I am unsure of how to respond, except with tears and a nod.</p>
<p>And so we witness, hold, recount, cry, and promise to remember.</p>
<p>Over the past few years, our collective had been talking about whether or not to let go of this space: what feels to me like a comfortable, privileged space of articulation. This blog has created multiple communities, and many of us have been able to engage across our subdisciplines through this mode of writing, certainly in more ways than any academic journal might engender. I had been holding on to this space because I always knew there was a place for me to speak comfortably, where I had a community of writers and readers who understood an anthropological framing. However, a month ago, when the question of sunsetting the blog came up again, I felt like it was important to think more about why it might be the time to do just that. I think about our community of writers, and I think of what the world needs now &#8230; and I suspect it isn&#8217;t about writing in comfortable anthropological spaces, but rather, it is time for us to move into spaces that make us deeply uncomfortable, where it is difficult, but where it is very necessary for our voices to be heard, for justice to be centered, and where we might elicit change through our words. I&#8217;m not sure where that space is, or how I am going to transition into such difficult spaces; wherever it is though, I hope to see some of you there.</p>
<div class="saboxplugin-wrap" itemtype="http://schema.org/Person" itemscope itemprop="author"><div class="saboxplugin-tab"><div class="saboxplugin-gravatar"><img alt='Uzma Z. Rizvi' src='http://2.gravatar.com/avatar/e0dab97963cbcece826fda68fe45ed46?s=100&#038;d=retro&#038;r=g' srcset='http://2.gravatar.com/avatar/e0dab97963cbcece826fda68fe45ed46?s=200&#038;d=retro&#038;r=g 2x' class='avatar avatar-100 photo' height='100' width='100' itemprop="image"/></div><div class="saboxplugin-authorname"><a href="/author/urizvi/" class="vcard author" rel="author"><span class="fn">Uzma Z. Rizvi</span></a></div><div class="saboxplugin-desc"><div itemprop="description"><p>Uzma Z. Rizvi is an associate professor of Anthropology and Urban Studies at Pratt Institute, Brooklyn NY, and a Visiting Scholar at Shah Abdul Latif University, Khairpur, Pakistan. Her current work focuses on Ancient Pakistan and UAE, during the third millennium BCE. She utilizes poetics as a mode through which to push the limits of archaeological theory. Additionally, her research focuses on ancient subjectivity, intimate architecture; memory, war, and trauma in relationship to the urban fabric, critical heritage studies at the intersections of contemporary art and history, and finally, epistemological critiques of the discipline in the service of decolonization.<br />
Previous posts can be accessed via https://savageminds.org/author/uzma/</p>
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